Monthly Archives: October 2014

Kelly Boyker


Curiouser & Curiouser:​ What’s the master plan to get Craig Wallwork to come to the U.S. and have lunch with us? So far he seems mainly scared. Is there a way to do this without causing him a psychological breakdown?

Kelly: ​First we set up a crowd funding sight to raise funds to bring Craig to the states. Of course, we do this without Craig’s knowledge. Once we have met our funding goal, oh say $10,000.00, we hire a minor celebrity. The minor celebrity along with a bevy of excited strangers and a camera crew will go to Craig’s house and ring his doorbell. Craig will answer the door and the extras will all cheer en masse and the minor celebrity will excitedly inform Craig that he has won a special sweepstakes and hand him a giant cardboard check for an all expense paid vacation to the USA. Of course, there will also be confetti and people tooting kazoos plus the camera crew recording everything. The camera crew is key because those that donated to the fund will have the reward of getting to see the moment when Craig’s face lights up with delight.

There will be no need for Craig to pack because we will have bought him an entire new wardrobe for his trip. We will have to pre-arrange all of this with his wife, of course, and also get his clothing and shoe size from her. Come to think of it, we will also have to pre-arrange with his employer. Next thing Craig knows he traveling to the airport in high style in a white stretch limousine, sipping champagne and joyfully sniffing the dozen red-roses strewn artfully about the limo. He will ask about his destination but that shall be shrouded in mystery and terribly hush-hush.

He will be driven to the nearest airport, placed on a private jet and flown directly to the Port Columbus International Airport- Columbus, OH. I will have arrived at your house in Jackson ahead of time and assisted in the lunchtime preparations. Lunch will have an ancient Roman/George RR Martin theme because, why not? The menu will consist of Columella Salad (which has mint, coriander, parsley, leaks and cheese), Soft Boiled Eggs in Pine Nut Sauce, Lentils with Coriander, Roast Wild Boar with honey drippings, Ostrich Ragout with candied dates, mint and honey, Roast Tuna with anchovy paste, shallots and mint, Fried Veal Escalope with Raisins, and for dessert, a Nut Tart made with pistachios, pine nuts almonds, honey and goat’s milk. Of course, we shall have tea and absinthe. The table will be fancy and set outside under some shade trees (I am hoping that you have shade trees on your farm). At any rate, Craig shall be driven to your house in a black stretch Hummer and we will greet him with wide smiles and all of his fears and psychosis will subside and he will have an enjoyable picnic with us with rich conversation and laughter. After that, it’s anybody’s guess.

C&C:​ That sounds perfect! And totally plausible! We should hang a sheet on the clothesline and project movies onto it in the evening. Do you have any Special Favorite Horror films?

K: ​Horror is my favorite movie genre. Most beloved directors and movies include Dario Argento (Suspiria and Phenomena — staring a very young Jennifer Connelly), George R. Romero (all the Living Dead series), Kiyoshi Kurosawa (Pulse and The Cure), Toby Hooper (Texas Chainsaw Massacre) everything by Guillermo Del Toro, everything by David Cronenberg, Jen and Sylvia Soska (American Mary), Jennifer Chambers Lynch (Boxing Helena), Robert Rodriguez (Planet Terror) and Tomas Alfredson (Let the Right One In). We’d need to pow-wow about what movies to play on the sheet because I know we’re all horror fans. I am always looking for tips to horror movies I have not seen.

C&C:​ Tell me about your babies!

​K: I previously had a Rhodesian Ridgeback named Tiki whom I loved to no end. She had a heart attack before her time, was rushed to the vet and died. I will never forget her silky ears, steadfast demeanor and outright love. After she died, I did not think I would have another dog for a very long time. But it turned out that my husband (Gio) and I were super lucky to buy a wonderful house with a huge yard (for Seattle) that is bordered on three sides by a vast green belt. Thus, it made sense to get a dog. We researched breeds extensively; I knew I could not handle another hound dog so soon, so we decided on a Belgian Shepherd. I need to add at this point that we have four rescue cats, two that are now elderly with special medical needs. So, rather than adopt a rescue dog, we wanted to find a breed that could grow up with our cats, respect them, and provide protection so a Belgian Shepherd seemed perfect. We first found Sagan (after Carl Sagan) who is a Belgian Tervuren and also a total butt-head. We were so taken with Belgian Shepherds that my husband Gio drove all the way to Minnesota to get Sabine, also a Belgian Shepherd, but she is a Groenendael (all black). They are both super sweet, although Sagan is now able to leap up and catch birds mid-flight, which is a bit distressing. Belgian Shepherds are all about their teeth, so they are constantly bearing them in play also in big dog smiles.

C&C:​ What are your plans for Halloween?

K: ​Nothing fancy party-wise or anything. However, we are competitive candy-hander-outers. We give out full-sized candy, meaning our house is very popular in our neighborhood. We might do dry ice this year for an extra spooky effect. It’s a great way to meet your neighbors and see all the cute costumes.

C&C: ​Did you trick-or-treat as a kid? What was your favorite childhood Halloween costume?

K: ​Yes, I trick-or-treated and then would try to make my candy last for months, which of course, resulted in stale candy. Favorite costumes as a kid that I remember are going as the Raven from Edgar Allen Poe’s The Raven, going as Wednesday from The Addams Family and just going as a generic bloody dead little girl. I really cannot remember a time in my life when I was not attracted to the morbid. I was fascinated by the idea of death. My favorite costume as an adult was going as Samara, the girl from the well in The Ring.

C&C:​ Do you have any tattoos?

K: ​I have a half sleeve tattoo of an adaptation of a Margaret Keane big-eyed girl. She is wearing a Tutu, holding a flower and surrounded by bizarre other worldly flowers. This tattoo goes all around my upper arm and shoulder including into my armpits, which hurt so much! I initially went to the tattoo artist with a few ideas for tattoos and he was like “what, are you going to get a bunch of sticker tattoos?” He basically made the sticker tattoo people seem like wimps and not wanting to be a wimp, I went for the half sleeve. Fun fact: I once had a lady in a grocery store ask me if the tattoo was of my daughter, I said yes and told her my daughter died tragically by drinking lye. The lady was horrified and I am certain Edward Gorey chuckled a bit in his urn.


C&C: Who was your first hardcore crush?

​K: In eighth grade, a new guy came to our very small private school and all the girls wanted him, including me. He was my boyfriend, briefly, though we never even went to second base. He “dumped” me for my best friend because she had boobs (which he explicitly informed me). Before the dumping, I wrote him a three-page love poem which I dropped in our neighborhood mailbox and then immediately regretted it. I waited at the mailbox and begged the mailman to give me my letter back. He told me that would be a federal crime and would not give me my letter. Thus, the poem was mailed and I was mortified. Said crush told everyone at school and I nearly died of embarrassment. Fairly recently, that poem managed to reach through the years and freshly re-horrify me. A couple of years ago we were searching for said first hardcore crush for a school reunion and I managed to locate his mother. When I called and said I was “Kelly Boyker”, she said, “oh my, you wrote that poem which we all read at the kitchen table one morning, it was very sweet”. Complete re-mortification.

​My ultimate boyfriend would be the hitman, Anton Chigurh, from No Country for Old Men played by the delicious Javier Bardem. The attraction is not based on his hotness; the attraction is based on his pure clinical lack of emotion in carrying out his kills. I don’t really know how the mechanics would work about actually having a cold-hearted hitman as your boyfriend, but a girl can dream.

C&C:​ I am much more horrified by your re-mortification than by your hitman crush. I hope this ex’s mother went on to tell you that he was dead, tragically killed in a domesticated bird attack, which was his greatest fear all through life. Are you afraid of any animals?

K:​I am not afraid of any animals but I have a ridiculous fear of spiders, even the shape of a spider. I have only one slightly interesting anecdotal story about a bats although I am not afraid of them. When I was a little girl I had super long, slightly curly hair and most of my friends were boys because that was who lived in our neighborhood. I was swinging on a rope swing attached to a giant chestnut tree when a roosting bat fell down into my hair and became tangled. The boys I was with dragged me down to the street, put my head over the curb and proceeded to whack the bat with a baseball bat while it was entangled in my hair. Needless to say I had pieces of mangled bat and bat blood caught in my hair and it was very difficult to pick the pieces out. I was never scared but felt sad about the bat and furious with my boy pals.

C&C:​ What do you have in your pockets?

K: ​Because I am in the habit of wearing super skinny jeans, I rarely have anything in my pockets. Coat pockets usually contain chap stick and one mitten (I am a chronic mitten loser) and tons of those single serving salt and pepper packages, because you never know when you are going to need salt and pepper.

C&C:​ Since this is our Halloween interview, let’s keep this morbid. Is there such thing as a romantic death, and what death would you choose, if you believe so? Say, Ophelia, or Juliet (blah), or splat off a building, or have yourself baked into a pie for your unknowing loved ones….

K: ​When I was a kid, I was highly influenced by Robert Heinlein’s Stranger in a Strange Land, so of course wanted to have my body reduced to a broth that all my friends could sip while sitting at the same table and “Grok my essence”. I still believe there is something powerful in ritualistic cannibalism. I once ate a small piece of Tyrannosaurus Rex when was I was in archeological field school. I have always thought it would be wonderful to eat a small part of an asteroid also. I like your idea of being baked in a pie, but I’d want the diners to know that they are dining on me. As far as death goes, I think it would be very interesting to die via guillotine. Especially those few precious moments when your head is severed from your body, but you still have just enough oxygen in your brain to be conscious. Those last moments would be spectacular. While I do believe that scientifically there may be other dimensions, I do not believe that there is a god or that we have a life after death. I figure getting to be alive just once is heaven or hell enough, no afterlife is necessary.



Menacing Hedge

Complete Autumn 2014 Line-up

Well, kids, Halloween is almost upon us! Are you excited? As a pre-Halloween gift, while I spend my Friday night in furry yellow socks drinking the evil Coca-Cola and watching American Mary for the 50th time (it takes me to my happy place, bless you, Soskas!), I’ll give you the complete line-up for C&C’s newest batch of interviews.

I’ve been lucky, very lucky. I made out an interview schedule, then with very little resistance and lots of beautiful enthusiasm on the part of my prospective interviewees, secured the cooperation of every person on that first scribbled list. So let’s just do that and call it good until….after Christmas? Who knows!

My point being, ten people immediately came to mind, and all ten I have or will present to you!

9/30/14 – Heather Foster

10/7/14 – Benjamin Whitmer

10/14/14 – Letitia Trent

10/21/14 – Brien Piechos

10/28/14 – Kelly Boyker

11/4/14 – Court Merrigan

11/11/14 – Leah Rhyne

11/18/14 – Heath Lowrance

12/2/14 – Gayle Towell

12/9/14 – Karen Abbott

(Post will updated with links as new interviews go live!)


Happy Halloween (almost)!

Brien Piechos


Curiouser & Curiouser: Who was the first girl you kissed?

Brien: I have no clue. And suddenly that’s really bothering me. I don’t recall or experience memories in the traditional way others do, to the best of my knowledge. A few years back I suffered a couple of brain strokes as a result of stress, and while I can’t be sure that was the catalyst for my poor memory I think it stands to reason. At the time I was driving the shortbus, yeah the shortbus, something like 11 hours a day. My boss had drawn up these impossible routes from Google maps that no human could actually complete in the time Google maps determined. But I had been out of work for 17 months during the recession and was so afraid of losing the job I just forced myself to manage. I was banging back like 3 large coffees, 2 Rockstars, a preload for the gym, and sometimes even a Redbull at night on a daily basis. Add the kids and their awful parents and let’s just say I’m lucky to be alive. My doctor couldn’t believe it. They said no one my age and in my health should have been in there. I work out like 2 hours a day and have forever, and he just said I should find a new job and he’d prescribe marijuana if it were legal here. My life was absolute hell during the recession, I had just graduated with a useless BA, was 29 with a spotty work history and significant criminal history, and applied to well over two-thousand jobs in the first year only getting three interviews. Anyhow, it’s not like I suffer a vast amnesia, I can recall pieces of my life in fact but fact only, no substance. For instance I can tell you what schools I attended and perhaps the names of my closest friends but I remember very, very few actual anecdotes to share and these days I forget people all the time. Probably because people bore the shit out of me. I do know the first girl who let me suck on her tits was named Ferguson, and we were both wearing Guns N’ Roses shirts, and it happened in the basement of the drummer from my middle school death metal band who later developed severe schizophrenia. So I have been thinking about her a bit more during the unrest is Missouri. Last I saw her she was a single mother working in a 711 in Indiana and looked sad. She didn’t recognize me and I didn’t say anything to her. I boxed for a long time as well, so that could account for some of the memory loss, but I was always tricky and didn’t take a ton of damage. I’m skeptical. It could also have something to do with the fact that I was a hard drinker from like 1996 on. I’ve calmed down a lot recently but I still put a lot of tequila away.

C&C: So it’s like you’re in Memento but with different tattoos and random memories of boobs? And what do you remember about your death metal band in middle school? And speaking of tattoos do you remember when/where you got your first one, and if there was a ‘why’? That’s more than one question but you get it….

B:I walked down to Grumpy’s for a few drinks before answering this and realized that they are almost the same question. What I remember about the band is essentially the core of why I started getting tattooed. This is pre-internet, mind you. I was born at the tail end of the 70’s and informed as an 80’s-90’s kid who identified more with the late 80’s-early 90’s aesthetics. Nirvana never meant anything to me. I was never really in touch with my generation. The Smashing Pumpkins, Radiohead, even Green Day, I don’t care about it at all. My middle school death metal band was called Militia. We sucked. Actually, I sucked. I still do. The aforementioned drummer was a true virtuoso, which is common in people that later develop Schizophrenia. He was phenomenal, just playing along to entire Slayer albums beat for beat in sixth grade Anyway, I liked the Exploited and Misfits and Slayer and G N’ R and had only a fake interest in alternative rock. I think other kids could tell, I lacked their dissatisfaction and ennui. I was flat out angry. Still am. Pantera basically closed the book on metal in my opinion and there has been no legit rock since G N’ R. For metal, everything that came after was either too abstract, too theatric or too mired in sub-genre. Or too campy, and continues to be. For rock, everything that came after was flat out fake. I’m open to suggestions because I haven’t done a terrible amount of digging but if I see enough T-shirts I’ll check something out and I’m invariably disappointed. Sorry, went on a tangent there. But at the heart of that is there was a certain inaccessibility in both attaining and creating before technology was cheap, and it served as a filter so only the best stuff made it to market, from the most ambitious bands who really, really believed in what they were doing and were going to see it through no matter what, and by the time they did the songs had been worked and the entire presentation congealed into something cohesive and cool. Sure, there was some crap, but not like today. Today EVERYTHING is crap, and in 1995 if the cover had a bunch of demons or eviscerated corpses there was a good chance the album ruled. Now nothing even attempts to take itself seriously, and I think metal should take itself seriously, otherwise how can you be making that style of sound and writing those style of lyrics? Evil doesn’t have a sense of humor. If I want a parody I’ll listen to Weird Al. Or any modern “rap.” Before I go off the rails again here’s the second part of the tangent: Tattooing, at the time I made a deep personal choice to be absolutely covered in ink, it represented a wholehearted rejection of society. It meant you weren’t going to hold a normal job or live a normal life. Your parents didn’t escort you and sign a waiver. It meant something profound and distancing from everyone else’s dreams and ambitions. It was a serious middle finger. There would be none of this tattoo acceptance in the workplace nonsense, none of these idiotic television programs where milquetoast folks get their grandparent’s portraits on their soft skin, and no fucking sports team tattoos, that’s for damn sure. As an American you were promised two things in that era: going to college would guarantee a comfortable middle class life and a tattoo would prohibit that. Unfortunately both proved false. Now you’ve got stock brokers with sleeves and guys with neck tattoos who’ve never been in a street fight. Worse, they’d call the cops. As a bouncer, I’ve seen those guys often sue over a broken nose suffered in a fight they picked. I know this. So tattoo culture is sham now. You have all these emasculated pussies dressing up like tough guys, getting on social media to cry about stereotyping “us” as “bad people” when they ran out and got the mark of a “bad person” stereotype. They don’t represent me. That really, really pisses me off. From where I am standing this is MY stereotype, and if you are out there rallying to change that, to convince society that we are nice normal folks, you are stealing something from me. Something I sacrificed a lot for, and I don’t mean money or skin space. These fucking ladyboys fighting for their tattoo rights, trying to change public perception of what it’s about like it started with them and it’s theirs to redefine. Those people are idiots, plain and simple. If you’re not an outlaw biker, a gangster, a fighter, a punker, a felon, a rocker or a vet I don’t think you have any business getting a tattoo. This isn’t your thing to trample and fuck up. Fuck your lotus flower and your family portraits. And coi fish, seriously, you are not a samurai. And arguing that it is symbolic is also a sham, the only thing Japanese imagery on a Caucasian symbolizes is “stupid round eye.” No matter what you think, they don’t actually “mean” anything. And especially fuck your Bible verses and crosses. This is indicative of that oblivious, misguided typical American sense of entitlement. That pisses me off the most. The way people just appropriate and annex elements of cultures that are relevant to people they are not part of and do not understand, that in all likelihood have rejected and would reject them, and adopt them with no respect to the people who they are stealing from or posing as. The absolute worst are the “only god can judge me” scripts that have become pervasive as UGG boots and spray on tans in the Midwest. Not only is it bogus, but it’s false. I am judging you, constantly. And the result isn’t good. So, you ask why? I never, ever, ever fit in. When I tried I failed. I even tried going straight as an adult and obtained degrees and all that jazz, the haircut, everything, and still the normal world had zero interest in absorbing me. I couldn’t even get a job moving furniture. But I was always a talented and creative delinquent. The freaks and, yes, the geeks, were more my people. But I always straddled a social line between the outcasts and the world of kids who were socially better off. I still do. But I knew I would never be the dickhead attorney golfing with the judge. On the other hand I wasn’t going to live in a trailer, work in a factory and knock up some tramp named Tonya either. I saw those guys, the Hells Angels and scary gangsters at the pool hall as something I understood at a very young age as a place in society I could fit. They were clever and bold, and refused to be intimidated by life, or by the fact that society outnumbered them. I was prepared to make those sacrifices for that reward. I could play that role all in. These identities aren’t the results of marking one’s self, but in the world I lived you earned your right to begin getting marked. And I did. Holden Caulfield said it best, I hate phonies. So, yes, I remember where I got my first tattoo. And it wasn’t some hospital-clean shop that catered to me with bottled water and required a bunch of forms and a photocopied ID. And why? Because I only have two speeds, chill and kill. If the wreck I have made of my skin doesn’t communicate that to you, evolution sent you to me for a reason.

C&C: SO THEN, WHAT WAS THE FIRST TATTOO? And where, both shop/garage and body location. Jesus you can ramble but you forgot to answer the question.

B: No, you just asked if I remembered when/where and if there was a why. Next topic.

C&C: Yeah I’m following up. That’s my point. Answer the fucking question.

B:I am choosing to move the conversation forward per my agent’s advice.

C&C: It was a crappy tattoo and you don’t want to tell me about it?

B: If you don’t have any crappy tattoos you’re a poser. Unless you have no tattoos, then you’re not subject to that judgment. I don’t trust a tattooed man without at least one shitty basement job, it means he’s always been a spoiled princess and waited to do things the “right way,” which, again, I feel is antithetic to the entire spirit of being an American outlaw. I’ve been tattooed in a basement, a kitchen, a band rehearsal space, a trailer in rural Wisconsin, and a living room at 8 a.m. after being up all night on… Redbull.

C&C: Much better. Now we can move on. Do you wear glasses? And how do you map stories if your memory is all messed up?

B: I got Lasik. It was the best money I ever spent. I didn’t drive much for a few years and my vision sort of slipped without me noticing. Then one night I was borrowing a friend’s car and realized I couldn’t read shit. I think I was 25. I had always loathed the feeling of contacts lenses, especially during allergy season, it prevented me from doing so many things I wanted to do, even motorcycle related stuff and especially any trips requiring lengthy stays away from home. I was just miserable. Then a few years ago I got into a brawl with some tourist bros from the university at a bondage bar and had someone hold my glasses. I got maced by security, the whole thing turned into a bloody circus and she took off with them. Little did I know she felt I owed her money over some squabble and refused to return them, so I learned a lesson. Well, several. The first is never trust a bitch. The second is take care of your body first and foremost because it isn’t merely your vehicle through life, it is your tool and your weapon. To answer your second part, I don’t necessarily map plot. I don’t really focus too much on plot. I usually start off with a setting or some philosophical statement I want to present and devise a method to present that statement in metaphor through character interaction with each other or a setting. I realize that sounds like the essence of plot, but I mostly work in short form, and while I’m not aping Raymond Carver I think my better work tends to lack plot in the way his did. Plus, I can’t get anything with a real plot in with under 10,000 words. For example I am working on a piece right now that is a single scene set in a museum at a dinosaur exhibit. My characters are on a first date. They are following an elementary school class who are on a field trip. One of the kids has an allergic reaction to their snack, and if you can’t see the parallels I am working with already you should probably go back to reading Hunger Games.

C&C: I don’t believe any of that bullshit you said about the two speeds, Chill and Kill. That sounds like an image thing. Where’s the in-between space, like photos of seen of you actually smiling, that’s not relaxing and that’s not anger? What do you call that setting?

B: No bullshit. Are you familiar with the film Melancholia? Lars von Trier’s thesis is people who suffer from depression are better suited to handle extreme crisis. As a result of miring in worst case scenarios day in and day out, when the world around them falls apart and normal, well-adjusted people crumble, this is another ordinary day for a clinically depressed person and they are better equipped to manage. Although I am not currently depressed I have been for many, many years. Deeply. And that, teamed with anxiety and generalized rage (I think all people of high intelligence experiencing low levels of accomplishment suffer generalized rage) is what led to my health condition. I am MUCH better now and the whole heart thing is a non-issue. My brother was so angry he lost his hair. No joke. He flies off the handle about all sorts of little shit, but you’ll see later in my response that it’s not actually little shit, it’s the combined force of EVERYTHING. Then he found a way to chill out, started smoking weed, and it grew back, but not until he got cancer. He was so mad he got cancer. I was so mad I had two strokes. But I digress. I’m only equipped to deal with chill and kill. I thrive in high stakes situations. I have done some stuff I cannot disclose for fear of serious time, but trust me, I do insane shit. My balls are bounce-castle sized. When my memoir is complete and the legal amount of time has passed to protect me from retroactive prosecution you’ll read about some of this. I’m totally zen about a building collapsing around me or having to fight several guys at once. No sweat. I have zero concern for human life and laugh when I see people hit by a bus. When people have family members pass or children die I have absolutely no internal reaction, I do not know what to say because I feel absolutely nothing. But I can’t cope with the daily grind of a shitty boss breathing down my neck, traffic, being denied a glass of water at carry-out food joint because they are nickle and diming you to death on bottled water, or even when people hold the door for you when you’re an inappropriate amount of steps behind them and basically force a “thank you,” which drives me nuts. I’m drunk in those photos or simply going through the motions of smiling. I am not smiling on the inside. Or perhaps I just flung at lit match in some annoying bitch’s hair or tagged some dufus with an ashtray for wearing an idiotic slouchy beanie in 80 degree weather. These simple daily annoyances, forcing verbal interaction with me when I enter the gym or even someone not using their turn signal BEFORE they begin to brake, makes my blood boil. I have tightness in my chest and trouble breathing because someone nearby in the gym is wearing a personal fragrance, not only because it stinks, but because it is inconsiderate. And that’s the funny part, I am ultra considerate. A paragon of civic virtue. My driving is impeccable. I follow every rule that keeps society moving smoothly and try to be a low-impact presence. That will be the death of me, simple daily interaction with humanity. But if the apocalypse hits I am going to be sitting pretty, personally fulfilled while grinding my enemy’s bones into the sand, subjugating their women and eating their children.

C&C: Your resignation to your own anger and pessimism is very comforting in a sick way. But you go out, you have friends, where does this fall on the chill/kill spectrum, and how you feel about human interaction?

B: That’s chill. And I rarely go out and I honestly don’t have many friends. Most of them have turned into different people, got married, or like football, which I simply cannot abide. FUCK THE NFL. The NFL needs its own social media platform because I have unfollowed every single person that posts “da bears” or “skol vikes.” That shit is the worst. I live in MN but am not a native Minnesotan, and unless you know what that means I cannot explain it to you. But I don’t think they do either, because the culture of Minneapolis has fully lived up to this relatively new idea of it’s identity over the last 5 years, which consists of being out of shape, riding a two-thousand dollar bicycle in the middle of the city street with no mirrors (even in winter), local craft beer that usually tastes like a liquefied heap of goat excrement, wearing a ridiculous slouchy cap that looks like a reservoir tip condom on your head even in eighty degree weather, beards in place of a personality, somehow affording a “cabin up north” that is actually a legitimate mansion on a lake, and boooooooring baseball. Now in their 30’s, many of my friends have kids and are reverting to their Minnesotan roots, families, etc., which I have zero interest in even if the option were there. Point being, I am the odd man out. Now, If you think I can handle being packed into a crowded bar with a bunch of rude idiots you’re misinterpreting the photos you you see. I cannot even stand live music anymore. Every time I go out on a limb and see an event I regret it, unless it is at a certain event center I shouldn’t mention by name where my old roommate has pull so we get exclusive VIP balcony suite. I can cope with that. Put it this way, I don’t go out on weekends. I sit home, eat well, drink tequila and watch UFC. I play a little fantasy MMA game on If it weren’t for weekly UFC events I don’t know what I would do with my weekend time. Maybe ride, but that’s dangerous as fuck around here nowadays because of the massive influx of unlicensed Somalian drivers who use their minivans to turn the streets into a fucking gauntlet. Basically every rider I know has been hit by a Somali in the last 4 years. So I am a hermit.

C&C: What about sex?

B: We’re not getting into that.

C&C: Why? It’s the natural progression of the conversation.

B: Because anything I say here is just going to give me a headache down the road. Can’t we talk about writing, authors I am currently into, the state of the world, something else?

C&C: The whole point of these interviews is to not focus on writing. Have you read any of the interviews?

B: I don’t remember.

C&C: You sort of get the luxury of saying that since you had strokes and your memory is all messed up, I guess? How convenient! Is that the same deal with sex? You can just pull the brain injury card?

B: No seriously dude this is off the record. We are not discussing women at all or my private life thereof. OK? Information age, people google you, and then everything becomes about them, they internalize every comment and create clues of flippant remarks, and I have run into a LOT of trouble with my mouth online and future women. This is a NO ZONE. Next question.

C&C:I sort of like how this went from an interview to you basically refusing to answer questions. It’s interesting. If you agree to let me keep this stuff in I’ll give you some final questions.

B: Whatever.

C&C: Don’t be pissed! This is a good interview.

B: Of course it is. I am interesting.

C&C: And uncooperative.

B: I have like 30 more minutes to burn. Send me something to respond to.

C&C: How do you respond to rejection?

B: Is this still about sex? I do not get rejected.

C&C: Literary rejection, Casanova.

B: Let’s be real about rejection. Every successful writer tells other writers that it is just part of the process and the only productive outlook is to accept the feedback that your work needs improvement. But that’s bullshit. That’s like saying it’s always the guy’s fault he can’t get a boner. Sometimes a woman simply isn’t getting him revved up. Reviewers can be morons with a chip on their shoulder that reject you because half of the draw for them is having that power and turning their jealousy into something tangible. And you know when that is the case. You do. You know when you submitted something good, refined and worthwhile that fits a market’s criteria. Unfortunately the vast majority of rejection slips are impersonal and give you no indication. There are the rare ones that include a few reasons, and in those cases you have a better gauge of the selector’s aptitude and whether you want to take their advice to heart. I recently got a rejection on a very, very good piece and they provided excerpts from the feedback of 5 readers. Yeah, 5. All 5 said the same thing. You might think, well Piechos, then they were right. You should listen to them. NO! That’s like saying zombie fiction is worthwhile because millions of mouth breathers spring a chub over it. That’s the classic jump off a cliff scenario. Fucking garbage movies get 5 starts all the time, and people actually like the Walking Dead and that show is unwatchably stale. They were WRONG, and were inundated by a very strict idea of what story is. They all said the same thing because they had all attended the same classes and were knocking me based on this same sad, limited notion of story. Story isn’t necessarily plot. The change and journey can be within the character, or how the characters relate to one another, or even the change in the setting can represent the change necessary to communicate story. There are higher concepts beyond the plot that qualify as story. Story can be communicated in many ways. So, yes, I learned something. I learned I was creating something that deserved a market with higher literary merit and there are in fact people who won’t “get” what you are doing because they’re dim and limited. Don’t knock yourself over that. Writing is nothing if not masochism, but you can’t take every flogging as if it is a lesson from a greater mind. Move on. Move UP. Find the place you belong. Pandering to lesser people will only get you writing for some utter tripe like Family Guy and miserable, knowing you are capable of something more, something personally fulfilling. Ultimately my point is we are living in an era where every one of society’s pillars have been torn down or are crumbling, so a blind deference to authority in this arena is equally as silly. If anyone really knew what they were doing readership would still be at an all time low thanks to infotech, but new and interesting things would still be breaking through despite this and there would be more than one young new literary hero every ten years. At the same time we live in an age of great social and professional impotency. We know our politicians are corrupt garbage and our country isn’t even a democracy anymore and we are essentially living in a police state, are well-kept slaves, but for the most part we just accept our inability to escape the two party paradigm or wrest control away from scum in charge. We realize that cops are completely insane and have far too much power in the USA, and all we do is repost memes about it, at the very best. And as legal weed goes through more and more the industry is being legislated as the exclusive domain of the rich, allowing only multimillionaire’s to grow and sell, so the new boss is the same as the old boss. What I am saying is all authority should be questioned if not outright rejected. And if you really want to make a difference, subvert it. Lately I have been reading through crates of old Playboys trying to get a feel for what they accept in terms of fiction. Sam Lipsyte had a story in 2004 (I think) that stood out to me for two reasons. The first is that it didn’t resemble anything else I have read in Playboy. The second is I am already a fan, and I am confident that Mr. Lipsyte’s approach to first person narration, building them within character confines and how their limited world view molds the language (especially similes) and story are very similar to my own theories and practices. He’s awesome and reading his work fills me with confidence. And he made it into Playboy with a completely whacked out piece unlike anything else I have found in a decade of Playboy (so far). That’s my goal for 2015, to at least query and get Playboy to consider my work. I want to tackle some relevant contemporary issues and find like-minded readers to share my rage. And that one totally biased and wrong rejection bolstered my confidence and resolve by showing me I was BETTER than the people rejecting me, I don’t need to write flowery prose about some profound hunting trip with my father where I learned the value of all life or whatever and get it published in Ploughshares (No, I never did that but it seems to be the norm), and to move onwards and upwards and shoot for the moon.

C&C: So, ideally, where is all this writing going to get you? What do you want? Money, fame, respect, to be left alone, what? If you could outline your results, after all the time and brainspace you’ve devoted….where would it put you?

B: I think this has parallels to my entire complaint of the “right reasons.” One of the big reasons I can’t handle other people is while we may be enthusiastic about the same thing it is rarely for the same reasons. I went to see Jenny Lewis recently at First Avenue and the crowd were awful. They were all there for the stupid pop songs the Current have on rotate from the shitty new album, not the wonderful stuff she did on her prior albums, when these people had never heard of her. Most had never even been to First Avenue before and I overheard them discussing it. First Ave is basically the heart and soul of Minneapolis music, and these were suburban tourists just cramming their polo shirt wearing pleated khaki cargo shorts asses into the place for an artist they didn’t know dick about that the trendy local radio station sold them on. These were Pedal Pub people. Awful, entitled suburban white folk with no soul who do whatever the Current (aforementioned awful radio station) tells them to. And their overwhelming presence ruined it for me. The other day I was sitting in a massage chair at the gym watching Futurama. The guy next to me laughed at all the points I felt were pedantic and the material I found funny did nothing for him. Granted, I thought Fry and Leela throwing bricks at a hippie was funny along with everything the crotchety professor says, but this guy laughed about the vegetarian lion being emaciated. It was a concept easy to grasp for him. Or maybe the schadenfreude in me is too strong to be objective, and besides, I like animals. When it comes to writing nothing you mentioned is my real, ultimate goal. Sure, I want fame, recognition, success, but with mass appeal comes a hard truth that what you are producing at least 50% sucks. And you have to live with that, like Palahniuk does when he fields idiotic questions at his readings that make me cringe. You have to think, “I have failed. If this person read that into my message, I have failed.” And workshopping with other writers I respect helps me with that. When I get comments that someone likes parts I felt were weak I have to edit them out. I am not writing to that audience. But me, I love the process. I love molding an idea into something I can be proud of. I enjoy building, exploring my ideas and making this art. I guess I’d like to get some fanmail that appreciated the pieces of my work I am proud of. Gus Moreno always “gets it.” I workshop with him all the time and he sees the stuff I want to communicate, so I want readers like Gus. He should review more often for the public. I would like to find myself invited into a world of like minded writers I can trade work with and build friendships. I’d like Sam Lipsyte to read my stuff and trade some short stories. I would like to know Jonathan Franzen and bitch about hipsters with him over lunch. I would like to somehow get Gordon Lish to edit just one of my stories, and like it. I would like to do something that reaches a level of popularity high enough that the City Pages (MPL’s version of the Village Voice) interviews me so I can shit all over the gentrification and phony identify my city has developed. I would like to come up with enough fresh ideas and create from them a novel that is exciting and engrossing to write, for the rest of my life. And, of course, I don’t want to have to deal with being rejected by a ton of markets that I don’t even like that much, which I have to submit to just to get my name out there because there is no real home for the type of fiction I write.


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Letitia Trent




Curiouser & Curiouser: I read a thing you did about Deadly Women. If you could actually be on the show as one of those re-enactors, what would be your ideal role? Killer, victim, nosy neighbor witness, etc. Be as specific as possible. I always wanted to be on Unsolved Mysteries, to get my start there, like Matthew *McCougheny*...

Letitia: I would definitely be a murderer. I am not even slightly murderous or violent in real life, so it would be therapeutic to play one on television. I’d like to be a jealous girlfriend or lover. Also out of character.

C&C: Sort of related to True Crime stuff, do you think the focus of most of that Other generalization, the “Look at the Broken People” emphasis is related to the way we treat fictional crime/criminals/monsters? Movie examples: in the Swedish version ‘Let the Right One In’ the little girl vampire stays the same when she kills/mutilates, but in the American version, she mutates into a monster first. Do we have an inability to entertain the idea that ‘bad’ is a part of us regular people, or could be?

L: Oh man, I like this question. I think horror/crime fiction (and in film) we get to both try on the point of view of the “evil” or “monster,” but also to make it clear that it is other. So in slasher films, we get the murderer’s POV, but by the end, we get to be the virgin who kills the murderer (until the sequel). In horror, often the monster is something outside that comes in and “infects” us. It’s not really us. Though contemporary horror and crime writers, of course, play with this a lot and complicate it. I think a big goal for me, and something I hope to do more often in future novels, is work on synthesis instead of separation. How can horror be about acknowledging and accepting that evil as part of us and still be horror? I think John Carpenter made this great distinction between types of horror: a conservative horror, which is about the threat “out there” and horror that is about the threat within. I’ve always preferred the second one.

C&C: Do you have any pets? Why or why not?

L: I have three black cats — Cheeto, Nina Simone, and Doombot. I love cats. I grew up with lots of cats and dogs, so I always expected to have pets, though my mom is now an animal hoarder and it makes me hesitant to ever have more than three: I’m afraid it might get out of control. I love dogs, too, but they feel like a lot of work. I can hardly get myself a bath or walk, I can’t imagine having to also manage those things for a dog.

C&C: Who was your first best friend?

L: My first best friend was probably a girl named Jessi, who I met in fifth grade when I lived in Bennington, Vermont. I think we were both kind of weird little outsiders, bookish and artsy. I remember we would sit on a stoop outside a storage shed during recess and write and illustrate a story about Junebugs instead of playing on the playground. I generally had only one friend at a time anyway (I wasn’t a popular kid, to say the least), so my best friends were by default. Since Elementary school, though, I haven’t had a best friend. That makes me kind of sad.

C&C: Where did you get Roscoe’s name?

L: There is this famous folk banjo and guitar player named Roscoe Holcomb: he introduced the “high lonesome sound” of Appalachian music to a wider audience. Here’s a youtube clip:


When I was freshly pregnant and not even thinking about names, we watched a video of Roscoe Holcomb and I said “Maybe we should name the baby Roscoe.” My husband Zach agreed. We decided right then and there. We figured it was a good way to honor Zach’s Arkansas/Oklahoma heritage. When I told my mother I was going to name the baby Roscoe, she said “Roscoe? Like my dog Roscoe?” But she has about fifty dogs, so I bet one of them was bound to be named Roscoe.

C&C: Cookies or pie? And which kind and why?

L: Just these words are making me sad because I’m currently avoiding sugar, but cookies, so many cookies. God, I love cookies. Chocolate chip. Sugar cookies. Those crunchy butter cookies with jelly in the middle. Snickerdoodles. Molasses cookies. Gingerbread. There’s just something about the texture of a perfectly-baked cookie that gets me. Pies are great too, though. I really have to stop typing about pies and cookies now.

C&C: What do you have in your pockets?

L: Nothing! I currently have no pockets because I’m wearing a sundress and a tank top. Which is my post-baby wardrobe because jeans no longer work and I don’t have the patience for buttons.

C&C: Did you read a lot when you were a kid?

L: I read a ton when I was a kid, which was weird, because I did not come from a family of readers (though I guess that my grandmother’s copious collections of magazines and trashy tabloids could be considered reading). I started with kids books, but when I was seven or eight started reading young adult novels. I loved problem novels about social issues, abuse, poverty, and orphans–orphans were really big in the 80’s. When I was 8 I started reading Baby Sitters Club books in addition to all of my grim problem novels. Oh, and I remember reading Hatchet, which made me fantasize about living outdoors. That winter, I tried to make acorn pancakes, which did not work. Shortly after that, I started reading adult novels–Stephen King, the Bronte sisters, etc. I also read most of my stepfather’s fantasy and sci fi novels,though I never could get into sci fi that was heavy on the science part. When I turned thirteen, I started to focus specifically on the poetry sections of the big school anthologies we read from every year. I ended up taking then all home with my over one summer (I went to a small school and nobody missed them)–I took the Brit Lit, American Lit, and World Lit and just read them straight through. I can still remember reading Sylvia Plath’s poem Blackberrying and thinking “Oh man, this is what I like.”

C&C:You went to Ohio State University? There’s a teacher there in the English dept that I had a crush on for like all of highschool. Like when I was 14, he was 16 and he carried a skateboard everywhere, smoked cigarettes, and was the bee’s knees (name omitted). Did you have him, and what sort of teacher was he? And in general, what was your best experience with a teacher? Conversely, what was your worst?

L: I went to Ohio State for my MFA, so I only experienced the grad faculty–none of my teachers had a skateboard 😦 😦 I have had some good experiences with teachers, though I’ve always been a little timid and hesitant in school settings. I have this idea that I’m bothering teachers if I ask them to look at my work, have a personal conversation, etc. I guess I still feel slightly out of place in a school setting, even if being a student is probably the one thing I’m really good at. So, I was too scared of most of my teachers or professors to really get to know them. I did have some really good ones, though, like my fifth grade teacher who encouraged my writing. Or Dr. Hall in undergrad who told me via e-mail that I should have won a school poetry contest and Dr. Cole, who helped introduce me to Feminism, and many others–I had an excellent undergrad experience, weirdly, despite going to a Southern Baptist college. I also had many encouraging grad profs like Kathy Fagan and Michelle Herman. Currently, I’m a psychology grad program and I’ve had some great professors here, but my worst school experience has actually been within the last year, when I had this group therapy class that went terribly, terribly wrong for reasons I still don’t fully understand. I didn’t think that at 32 I’d have another incredibly awkward school experience, but I guess life is full of surprises. Oh, and I did have a pretty bad experience with a semi-famous (more so at the time) visiting writer in grad school who was completely baffled by a short story I turned in, but not baffled in a good way. She didn’t like how I used the word “fuck” a lot and asked me if my story was just “about being a crazy person.”

C&C: Do you have any tattoos?

L: I have several tattoos. This is probably a boring list, but here goes! The first was a Tik Nhat Hahn quote: “Thanks to Impermanence everything is possible.” I got this in Brattleboro, Vermont, just after I started meditating, and it was wildly painful but I was immediately hooked on tattoos after that. The pain was somehow meditative, too. I started the tattoo game late–I think I was 28 when I got my first one. I didn’t think about it much and follow the impromptu tattoo policy. My second was a High Priestess image from a 70’s tarot deck. I started learning tarot when I lived in Vermont and loved it so much that I wanted to get those images on my body permanently, as reminders of things I wanted to better understand. Next were morning glories, wrapped around my High Priestess. My mother grew morning glories on the side of our trailer. I thought they were magical, how they closed and opened. I don’t have many positive childhood memories, so I wanted something to remind me of the good things about my past. The phases of the moon run down the back of my neck and back. I have an enormous, enormous open pomegranate tattoo that I got in Israel that is so amazing, but I hardly ever get to see it because it’s on my lower back (it’s kinda a monster ‘tramp stamp,’ a terrible phrase, but that’s the location). I have a sun card tarot image on my forearm, which is a matching tat with my husband. I always wanted to get a mutual tat, but we didn’t do it until just a few years ago, after being together over ten years. We figured that would help us to avoid the whole “get a tattoo then break up” thing that happens. Last, I have a Celtic moth on my back–I like the moth as a symbol. A night butterfly.

Sometimes I joke that I’ll get a really bad tattoo of my son on my bicep or something, which would be hilarious, but I will never, never do that. Still, I’m kind of impressed by bad but ambitious tattoos. To me, tattoos say “fuck you” to death, in a way–like, I’ll do whatever I want to my body because it’s impermanent, ultimately, and I’ll celebrate that by getting it all inked up.

C&C:What are your plans for Halloween?

L: I usually have major Halloween plans, but now I have a baby, so it’s hard for me to imagine how my usual Halloween parties or movies and alcohol are going to happen. I just want to get away to a dark theater and watch something terrible happening on a screen for a couple of hours. I hope that will happen.


Benjamin Whitmer


Curiouser & Curiouser: We’re from the same hometown, which makes me think we’re already best friends, which makes you my newest Internet crush – strange, considering I usually stick to crushes named Craig. What’re the chances of us getting married?

Benjamin Whitmer: Well, back ‘atcha. Though I would say the odds are low on marriage, but it’s certainly not personal. I have done marriage, and have come to think of it the way I think of a new Wally Lamb book. Meaning, I’m very happy that it makes so many other people happy, but I can’t figure out any of the characters, and if you come too near me with it I’ll run away and hide under a bucket.

But I love that we’re from that same town. It’s one of those places that you never expect to meet anybody from. I actually lived in town, Jackson, for the first year or two of my life, and then my mother and I moved with some other folks onto a farm in the hills. On top of a hill actually, which I remember distinctly, because there were a lot of nights we had to park our broke-down car at the bottom and walk the dirt driveway up it. We had forty acres with a barn, a cabin, and a little white house down in a gully. My mother and I lived in all three at one point or another. I liked the little white house the best, I think, because it had a black snake in the walls that would eat the mice and you could hear it moving around.

There was no electricity and no running water, but we had lots of freedom and books. And my mother, bless her soul, kept me out of school until third grade. That was very important to my development, being kept out of school. It’s the one thing I wish I could give my children. I think the kids of this country would be better off with a lot less school.

C&C: I agree with you about school. There’s a lot of paperwork going on, but not exactly a lot of learning… How do you think starting late in school, and being a little wild as a young one, set you up for parenting? I mean, a lot of parents with any kind colorful pasts are just as likely to go full-on opposite “I will not let my children repeat my mistakes, they shall succeed,” as they are “It’s just school. They get more state and federal money if you fill in the right circles, just join the circus or something, there’s a lot of life out there.” This question is kind of all over the place. But, kids. And dreaming and the circus and success…

B: I’m a little of both, I guess. I don’t care about grades, and I’m of the opinion school has a lot more to do with teaching them how to be productive members of society – meaning, preparing them for a lifetime of keeping their ass in a seat and doing stupid, repetitive work – than it has to do with education. And I’m always furious about the amount of useless busywork they come home with. And all the nonsense testing. There’s no way I’d have survived if I had to do it in this day and age, and I’m not real good at hiding my opinion from them.

But at the same time, I dropped out of high school, and it made life a lot harder. So they know that too. My philosophy on it is, yeah, most of it may be junk, but it can make your life a lot easier if you can put up with it. I’m probably not gonna win any father-of-the-year awards with that attitude, but I have trouble coming up with another. To the colorful past thing, mainly it’s just important for me that they know there are no mistakes they can make that I haven’t already made. Whatever they’re struggling with, I’ve probably screwed it up royally in my life. That’s the one parenting lesson that I hope really sticks with them. Not as an excuse for them to do every dumbass thing I did, but so they can talk to me about anything. (Sorry to be corny.)

C&C: What are your plans for Halloween?

B: I think my kids are with their mother this Halloween, so probably not much. I’m pretty fucking lame on that holiday, to be honest. There’s usually an invitation to some party that I ignore because I’m too lazy to figure out a costume. When I have the kids, I always have big plans for costumes, but we never get ‘em done, because at the end of the day the kids want to be in something storebought. Which I don’t blame them for. Besides which, I’m not the most crafty individual on earth. I’ve been boycotting Hobby Lobby long before it was cool. My entire life, in fact.

There’s a zombie walk here in Denver and last year I wanted to buy gas masks and go as those creepy kids from “The Empty Child” episode of Doctor Who. But I think the kids realized I really just wanted an excuse to buy us all gas masks, so they nixed it. And then I thought it would be fun to dress my son up as Maxwell Silverhammer and I could go as the judge with my brains hanging out. Also nixed, for a cool ninja costume. And then one year I thought it would be cool for all of us to go as Black Bloc anarchists, and I even told them they could smash all the Starbucks’ windows they wanted – not for any political reasons, just that Moby Dick is my favorite book – but they started complaining about getting arrested and etc.

C&C: Can you make a bump key, or could you at any point, and realistically is that even a useful skill anymore considering the way security systems and locks are set up, now?

B: Oh, hell no. When I was a kid I thought I was pretty good at breaking and entering, but it was more just the side window or the unlocked garage door. It was just that I lived in a small town in southern Ohio where there was a private university. It was a target rich environment. Lots of folks with lots of good alcohol and drugs, and, as a townie, I didn’t have any good alcohol or drugs. So I felt within my rights to liberate some of theirs. It was the kind of stupid teenage shit which’d probably get you shot or put in jail for life these days.

Now I kind of want to learn how to file down a bump key, though. You may have solved my Halloween plans.

C&C: Who was the first person you ever showed a story you’d written?

B: I think it was a young lady named Laurie. I was stone in love with her. She was one of the coolest people I’d ever met, and she was always blowing me away when she talked about books. It was a small town and I wasn’t much of a fighter, or smart in school, or any kind of good looking, so I figured I’d better pick up something artistic to impress young women. And since I couldn’t draw and had no musical ability, I chose writing. Everybody’s impressed with writers, right? And it’s easy – it’s just words, after all.

Jesus, did I miscalculate that one. From every single angle.

I still count Laurie as one of my best friends, though. And she seemed to like the story well enough. Enough that I wrote another. And another. And then decided, fuck it, I’ll do this for life, whether or not it ever impresses women. So I’m happy with the results.

C&C:Did you celebrate Christmas as a kid?

B: Absolutely. I’m a sucker for Christmas. When I was a kid we never had any money, so it was never about gifts, but the adults always did these amazing things. I remember one year we came down and the entire Christmas tree was lit up with candles, each of which they’d placed into a bird’s nest and clothespinned to a branch. It was beautiful. Other times I remember going out in a real sleigh, with bells and everything, singing Christmas carols on our way to cut down our own tree.

I’m still goofy for it with my kids. We have a little more money, so there are more gifts, probably, but I try to keep everything aimed at the corny stuff. They make it easy by being great kids.

C&C: What do you have in your pockets right now? Or another way people like to approach this one if I catch them in their pajamas is to list their “every day carry.”

B: Well, besides keys, I have my Phat Bob folding knife. It’s the best knife I’ve ever had. It’s tough and big, and easy to open one-handed. You can use it to pop Mexican cokes, peel an apple or baton kindling. I’ll be heartbroken when it breaks, because I think they’re discontinued. I also have a brass Zippo. I quit smoking cigarettes, but I keep it because, y’know, fire. And my stupid cellphone. Which, for my purposes, is only really an e-reader. (Right now loaded up with PERFIDIA.) And my Teenage Mutant Ninja Turtles Pizza Time wallet that my son gave me for father’s day. And if I’m carrying, there will also be a 3” limited edition Ruger .357 revolver and an extra speedloader of ammunition. I don’t carry so much anymore, though.

C&C: If I went to the vehicle you’re driving and turned on the radio, what would come out? What do you listen to when driving?

B: I usually listen to audio books. Any way that I can sneak a little extra book time, I’ll take. I’m pretty boring on that front. I try to keep the radio off for the same reason I don’t have cable and never hooked an antenna up to my television. I’m inundated with enough shit from the internet, I don’t need any more. My brain functions better when I know exactly what’s going into it, and I don’t end up being surprised by any unforeseen celebrity news.

C&C: Can you swim?

B: Nope. I could probably keep from drowning for twenty minutes. Maybe. And sometimes I can move in the direction I’m trying to for a few feet, but that’s about it. Luckily I live in Colorado, where it’s not exactly a necessary skill.

C&C: Do you have any irrational fears or phobias? Like not logical “I think I have bad breath” or “I heard a chainsaw, there’s probably a chainsaw out there” fears, but more like, well, cockatoos can steal your soul and Jack-in-the-boxes are evil. Those last two things are true, by the way. Anything get to you like that?

B: Chickens! I loathe and fear chickens. We had them growing up and they were the only thing we killed that bothered me. The way they keep flopping around headless, evil fuckers. Pigs don’t do that. You stun a pig by shooting it in the head and then cut its throat, and it doesn’t jump up and start trying to chase you. That’s chicken behavior. Anything that can do that is pure malevolence. And they’re disgusting. Bonedeep stupid, filthy animals. I have recurring nightmares about being caged in with them.

I eat chicken out of spite. I hate-eat the motherfuckers.


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